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IN THEIR WORDS

There are some of the most talented performers in the business, combining both magic and comedy to create moments of mirth  and miracles.  Now that our Top Funniest Magic Acts have been voted onto this list by their peers, we are led to wonder: How did they get to where they are, and what advice do they have  for those who aspire to follow in their footsteps?  STAN ALLEN asked the questions and these are the answers from Michael Finney.

MAGIC: Do you consider yourself a magician doing comedy or a comic doing magic?
FINNEY: I'm a magician doing comic magic.  I am lucky enough to have written stand-up comedy to go with it, but I want to be a magician!  Even more than that, I want to be an entertainer.  Comedy magic is my tool to entertain.

MAGIC:  Did you start out as a serious magician?
FINNEY: Yes, very much so.  I started with close-up first, which I think is most difficult.  Back then I had a couple hours of material.  When I gat an amusement park job, I put together a thirteen-minute dove act to go with the half hour of kids magic I had.

MAGIC:  How did you end up doing comedy?
FINNEY:  Legend City amusement park closed, so I took the kid's show to open-mic  nights and amateur nights all over Phoenix.  In the early 80s, that was the happening thing, as were comedy clubs.  My mission was to get into comedy clubs doing comedy magic.  I went to Los Angeles and open-mic every club, came back home, and the phone started to ring.

MAGIC: Who were your biggest influences and the inspiration for your act?
FINNEY: I am sorry to say it was not until later on that I got to see my favorites.  For me it all happen so fast.  I started doing magic when I was 24  years old, with no prior knowledge.  What you see is me; there were no influences early on.  If any, they would have to be Larry Wilson and Ricky Jay.  They were doing talk shows - Dinah Shore, Merv Griffin, Mike Douglas.  I would see them in the afternoons.  To this day, I still think are two of the best, because they were able to entertain while doing magic.

MAGIC: Where do you draw inspiration for your comedy?
FINNEY:  From life. Watching the human race, with a strong desire to entertain them.  We are all so alike and yet so different.

MAGIC:  Is your act scripted out?
FINNEY:  For the most part I have an  outline for the night, but it is all subject to change at a moment's notice.  I cannot predict your response.  I leave myself room to move if things don't feel right. I might have to bring magic out earlier than I'd like if need be.  I like having th freedom to work through any situation.  It's my job to make it work!

MAGIC:  How do you develop new material?
FINNEY:  You have to put forth a lot of effort.  I was taught that if you perfect six good tricks, you can go to the grave happy.  I have proven that, but I have just added two new tricks to the show; I am working them onstage  in front  of a lice audience.  Once you learn the handling, you just have to do it.  The patter will come quicker than you think.

MAGIC: Do you feel that any trick can be made funny?  Are there criteria you use to evaluate what kinds of effects will work for you?
FINNEY:  It doesn't seem right to make light of a really good magic trick if you don't have to.  Magic is magic; throw a good trick in once in awhile to keep your audience on their toes.

MAGIC:  How important is it in your act to fool the audience?
FINNEY:  I want to fool them.  That's very important; after all, they came in to see magic.

MAGIC:  How important is it in your cat to present original magic?
FINNEY:  Only someone who is doing someone else's act verbatim is guilty of not doing original magic.  If you are on stage and you are performing a magic trick, it is yours.  It's what you do with it that makes it original.  There were many variations of the Card on Forehead and rope routines way before I came along.  But he bits are mine now because of how I do them and what I say while doing them.

MAGIC:  Is it possible for the magic to be so strong that it  takes away from the comedy?
FINNEY:  Never!  The magic is why we are there.  They came to see magic.  Fool  you and make you laugh; you got your money's worth and I have done my job.

MAGIC:  Have you ever consider dropping magic and going with just comedy?
FINNEY:  I thought I could have, but I have found that stand-up comedy can be unreliable over the long run, because of the audiences' different point of view.  The magic is always well received.  My stand-up serves me well in other venues, where the room, the lighting, or the staging is not right for magic - for emcee, hosting, etc.

MAGIC:  How did you develop your onstage personality?
FINNEY:  I developed over time, like fine wine.  It's a constant work in progress.  I did not know much about anything when I started; it all came on the fly.  What you see now has taken 28 years and there is still room for improvement.

MAGIC:  How much of your onstage persona is  an extension of your offstage personality?
FINNEY:  Pretty much when I am with my friends, I am the same.  Not trying to perform but always wanting to make people laugh.  My life is so much easier than most.  I try to be happy and upbeat when I am around people in general.  Except when playing golf.  Then I want to beat your ass.

MAGIC:  Another item that comes up  in discussions on comedy  is timing.  Can someone learn it?
FINNEY:  Timing is in every facet of life.  It  is important all the time.  We all have it; it's in our daily lives - like going through an intersection and making a left hand turn from the right lane.  Timing is never the same.  It has to go with the audience for that night, that show.  No two shows are the same.  You have to feel it; your mind and heart have to feel the moment.  It's a constant work in progress.

MAGIC:  What is the one thing you see comedy magicians  most often doing wrong?
FINNEY:  If you are a comedy magician it's hard do something wrong.  It's your act.  There are so many things that dictate success and failure.  It's your persona.  It takes time to develop.  I know I use that phrase a lot, but there are no shortcuts.  Most often it's just overall presentation - how you come off to the audience, your appearance.  Are you funny?  I think it's in your DNA, you either have it or you don't.  I could never look as good as Lance Burton doing doves and yet Lance has the ability to be very funny.  That's not fair.

MAGIC:  When asked for advice from an aspiring comedy magician, what do you offer?
FINNEY:  Your act is like film - it takes time to develop.  No one-hour pick-up here. Everyone  is funny or can be funny once in awhile.  It  takes practice to be funny all the time.  Don't be afraid.  Fear is excitement when entertaining.  No one is going to die during your show.  No one is perfect all the time.  It's not the destination but the journey that fills the soul.

 
   

Click Images to Enlarge (from Magic Magazine)




Michael & Lori receiving the
Academy Magical
Arts Parlor Magician

of the Year Award

The Prestigious Comedy/Magician
of the year Award

Being Presented by Dale Hindman,
President of the Academy of Magical
Arts & Sciences at The Magic Castle
in Hollywood, California


Click Images to Enlarge

 

Magic in clubhouse
John Burkett knows a few magic tricks and had amused his teammates with them in spring training, so when Tim Wakefield brought a friend into the clubhouse yesterday and asked Burkett to show him a few tricks, the pitcher did so. The visitor said he thought he knew a trick, too and soon Burkett was the foil of professional magician Michael Finney, who performed an assortment of rope and card tricks as the rest of the Red Sox gathered around and laughed hilariously.
Finney, who performed at President George W. Bush's inauguration in 2000 and has appeared on Comedy Central, was in town for a corporate performance.  He lives in Arizona, but knows Wakefield from charity work in Florida so the pitcher invited him to the ballpark.  The personable Burkett, the starting pitcher a few hours later against Baltimore, had been set up, but he went along happily with the whole episode, showing how relaxed the Red Sox were despite a possible wild card clinching last night.
Burkett could have used Finney's help in making the Baltimore Orioles disappear later on.  The 40-year-old was gone himself after facing eight batters, giving up seven hits and six earne
d runs and retiring only one batter in the shortest outing of his 423-start career.

 

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